Alessandro Sebastiani

The experience of encountering the reconstructed Colossus of Constantine, prominently displayed within the verdant environs of Palazzo Caffarelli in Rome, evokes a profound sense of astonishment. Immersed within this setting, one is transported to a realm where the meticulously crafted proportions faithfully capture the essence of the grandeur sought during the 4th century. It is worth noting that the original intent behind its creation was to grace the interior of the Basilica of Maxentius, thereby underscoring its monumental significance.

The sheer magnificence of the statue commands awe and reverence, accentuated by the deliberate selection of its placement. Positioned discreetly away from the throngs of tourists, it beckons the discerning observer to engage in a nuanced interplay of perspectives. Initially appearing diminutive in the distance, the Colossus gradually asserts its dominance as one draws near, ultimately dominating the expanse of the garden and captivating the gaze of the beholder.

This installation represents a meticulously orchestrated endeavor, underscored by its temporal nature, scheduled to endure until the end of 2025. Notably, the striking resemblance between Constantine and the iconic Zeus of Olympia serves as a poignant reminder of an era characterized by profound ideological upheavals, poised to redefine the very fabric of societal norms and structures.