Alessandro Sebastiani

Experiencing ennui in Rome proves to be a formidable challenge, owing to the city’s abundant array of opportunities for delving into its historical narrative, architectural marvels, and cultural heritage. Furthermore, Rome boasts a plethora of diverse exhibitions catering to myriad interests, thereby catering to the intellectual and aesthetic inclinations of its visitors. Nonetheless, venturing beyond the city’s immediate environs occasionally proves rewarding, as within a short distance, one can access places fulfilled with historical significance and captivating allure.

Illustratively, Tusculum, nestled amidst the Alban Hills, epitomizes such a place. Here, amidst a verdant expanse teeming with arboreal splendor and pastoral vistas, remnants of the ancient Roman road endure, inviting contemplation of bygone eras. Traversing this pathway, one is transported into a realm where time appears suspended, preceding encounters with the evocative ruins of recently unearthed and archaeologically investigated bathhouse. Regrettably, upon ascending to the hilltop, access to places such as the theater and other public buildings often proves elusive—a lamentable phenomenon all too common in Italy. However, one can descend towards a particularly noteworthy structure, its subterranean foundations juxtaposed amidst verdant foliage, evoking a palpable sense of antiquity.

This evocative experience recalls reminiscences of the Grand Tour period, provoking a gamut of emotions precipitated by encounters with classical remnants and the inexorable evolution of functions, perceptions, and history. Here, the intricate interplay of opus mixtum serves as a testament to the enduring legacy of antiquity. As I gradually prepare to depart, retracing my steps towards the well-trodden paved thoroughfare, I am acutely aware of the symbiotic relationship between the past and the present—a poignant reminder of Rome’s enduring status as a nexus of historical continuity and modernity.